Outsiders Festival: “We Want It to Be Much Bigger Than Local”

March 2nd at Cyprus Avenue sees the Outsiders Ent. collective of rappers, musicians and visual artists take their vision to the next level, after years of work and learning, when the all-night Outsiders Festival puts a spotlight on themselves and their collaborators. Mike McGrath-Bryan speaks with Outsiders Y.P., Kestine and Sai Wing Ho about the process.

A great amount of column-inches and bandwidth have been spent in recent years singing the praises of the rapid development of Irish hip-hop and its related culture, with a vast amount of videos, music and documentary content of various kinds providing the genre with a massive bottom line on which to continue its growth. As the broad fragmenting of listenership continues within the music industry, and younger musical palates are nourished by access to an unprecedented array of artists and styles via streaming services, Irish hip-hop’s rise is tied not only to demographic phenomena, but social change in Ireland. A new generation of multicultural artists whose lives, experiences and creativity centre around Ireland and its society, have vested the genre with their hard work, vision and ambition.

Central to this development among a new generation of Corkonians have Outsiders Ent., a group of creators brought together by common artistic goals, in the manner that’s been happening all over Cork music in the post-recession environment. Threading together music, visual art, photography, conceptual art installations, fashion and publication over the past number of years, the Outsiders’ gutsy take on keeping all of these things up in the air is, as is usually the case nowadays, a matter of necessity, according to co-founder Y.P. “When I was still in Uni, (co-member) Olympìo and I thought of creating a collective. Like, a place to include any person that we vibed with. But it wasn’t until, like, late 2016, that we really started doing anything. We were both kind of busy with life, and still trying to figure ourselves out. To be honest, we still are. But now we are more focused than ever before. We’ve decided to fully commit and put one hundred percent into the year, and hopefully, we get something in return, and help boost the hip-hop and music scene in general.”

When it came time to put names and a mission statement to the group, the process of arriving on common goals, an aesthetic, design, and other aspects of the operation among everyone involved was a natural one, as interests converged and people came into their element as creators. Getting all that together was a matter of coming up with a common workflow to the various things that come with creating and releasing music, which didn’t exactly unfold across a number of meetings, according to Y.P. “I’m in charge of editing, mixing, and mastering. Sai (Wing Ho, visual artist) usually deals with the visual aspects, whether it’s album covers, the logo, overall image, and more recently music videos. The rest of the guys focused on the music really. I suppose now everyone is getting a bit more involved with different aspects of the brand. It’s great to see that. I’m more confident that we can go really far because everyone has their head down and is really pushing themselves. I suppose the mission statement came about when we all agreed on what we felt the main goal for Outsiders Ent was, and is. We want Outsiders to be much bigger than local. I guess that would be our goal this year.”

The various members of the Outsiders have been steadily releasing singles and EPs online over the course of the past few years, almost entirely off their own steam in the absence of any established infrastructure outside of the community. The learning curve involved has led to the lads looking at their own goals as individuals, and as DIY musicians, as opposed to industry-centric heads. “We’re not really like that to be honest”, says Y.P. “Like, we really just want to leave a big impact in the world, more than anything else. We don’t function like a business yet. Although we are working on that this year. I think maybe it’s necessary to think of ourselves as more of a business to maximise our chances of success. We are trying to get more organised, and more precise, and just better at doing things for each other.”

Fellow Outsider Kestine is circumspect about his time in the group so far, the mutual support it offers, and having watched its accomplishments to date unfold. “It’s been quite an experience. Especially seeing Y.P. push through and do his thing. For me, I think, it was the last year where I’ve been really able to put focus on the music. ‘Cause I recently graduated from university, and after my graduation period, it was time to put my focus onto music. But definitely seeing him put in the work, has been inspiring… I don’t want to gas him too much, but he… he is a quote-unquote genius, in his own right.”

Visual artist and video editor Sai Wing Ho’s cinematic visual work for various singles’ promotional videos, like Y.P. and Pharaii’s ‘The Bag’, has done wonders for the group in terms of garnering wider attention online. Now, more so than ever, the idea of garnering traction as an independent artist means going where your people are, and for Sai Wing, capturing sets of eyeballs on social media is part of the process, but design and print are of equal importance to the mission. “To be honest, I only started making videos because we believe that is what people like to see. Releasing music alone is not enough to draw people’s attention nowadays, people like to see more, especially with the internet and social media. Artists have to be able to showcase their persona through different outlets, let it be music videos, social media or whatever… If you look at artists like A$AP Rocky and Tyler the Creator, I love their visual aesthetic and music videos and that’s how I actually become a fan of their music. What I’m saying is that artists nowadays have many ways to become successful, they just need to get creative with it. This year, Outsiders will definitely release a lot more music videos and content, to garner as much attention as we can and hopefully we will see the result by the end of this year. We’ve actually also already worked on and finished our ‘Solitude’ magazine. We hope to release it later this year. It’s like really a representation of what connects us all together, and we hope that everyone that reads it can relate and understand us a little bit more.”

The road to the group’s endgoals goes through The Outsiders Festival at Cyprus Avenue, an all-night gathering of like minds that happens on Saturday March 2nd from 9pm, co-produced by Dublin-based outfit WordUp Collective, of whom Y.P. is a working affiliate. Alongside collaborative and solo performances from the Outsiders themselves, firm festival faves like Tebi Rex and JYellowL are joined by emergent voices like Belfast’s Jordan Adetunji, and hosting proceedings is this parish’s own Stevie G. For Y.P., the gravity of this event is heightened by circumstance, as he, like others, is weighing up his options in Ireland. But in the now, it’s about getting the event over the line. “In terms of organising, it hasn’t been easy. There’s a lot that goes on behind the scenes to organise events like this. But we are lucky. Just because of the venue and the Word Up family, even though we actually recently had to cancel the daytime part of the event because we were worried about the overall costs. But Ger, who is the owner of Cyprus Avenue, and Eoin who runs the show there, have been super in helping us make this happen. Ger has been one of the most supportive people I’ve ever met. So they’ve made it as easy as it could possibly be for us. I suppose the hard part was really getting all the artists, figuring out fees, and trying to promote the event. These are the parts that can be very hard. The Word Up collective was pivotal for that. They helped us get in touch with the artists, and contacted some of their connections to get the word out about the show as well. We’ve had help along the way. You’d be surprised by how helpful people are sometimes.”

The event’s stated goal is to represent a celebration of Irish hip-hop and urban culture in its current form, and what it’s come to, as well as where it’s come from in the form of host Stevie G’s involvement (see panel). It’s a combination of time, place and talent that deserves to be celebrated at this point, as the genre’s mainstream presence in Ireland continues to grow. “It’s looking like it’s gonna go pretty far,” opines Y.P. “The talent, at least for me, is at its peak. I don’t think there’s been this much buzz and quality in terms of urban music at least in my time. I also feel the artists are more internationally-friendly in terms of their sound. Better production, and everything. Even the music videos look way more interesting and creative than before. So we think the potential is huge, and hopefully, it becomes huge, and we play even a small role in making that happen.”

The Outsiders Festival happens on Saturday March 2nd at Cyprus Avenue, with kickoff at 9pm. Tickets €12.50 available now from the Old Oak and cyprusavenue.ie.

Young Rebels: The New Faces of Cork Music

As the Leeside scene turns a corner, Mike McGrath-Bryan salutes eight of the city’s hardest-working young music professionals.

While the city’s venue situation slowly comes around of its own accord after a traumatic eighteen-month period of closures and gentrification, the roots of the beginnings of a renewal in Cork music lie embedded in the fertile soil of Cork’s promoters, music writers, DJs and organisers. Names and faces often count for a lot in any small community, and over the last decade or so, a generation of young music heads have been slowly learning and fine-tuning their craft around the city, gutting out the depths of austerity and the recession, finding ways of making it work. Though by no means a definitive list (and there’s enough to fill another four instalments of this length by this writer’s count… hello, editors), here’s a look at eight Rebels who are doing their part in changing the game in the city by the Lee.

AISLING O’RIORDAN (Co-promoter, Southern Hospitality Board/Quarter Block Party; vocals/key/guitar, Morning Veils/HEX; co-presenter, Quiet Angry Women; disc-jockey)

With a singular focus on local cultural life, and a vast array of experience across numerous music and cultural roles, Aisling O’Riordan has undoubtedly become central to Cork music. As one-half of influential promoters Southern Hospitality Board, her stewardessship of Quarter Block Party’s music programme has formed an important part of the February festival’s identity, while her role as one-third of folk doomsayers Morning Veils has helped bring about some cracking tunes and memorable live appearances for the seldom-seen trio. Regular radio show Quiet Angry Women provides her with a platform via online station Dublin Digital Radio, spotlighting female artists and featuring mixes curated by women in Irish music, and as a record-slinger, she’s shared billing with some of Irish music’s best and brightest, including a set in front of a packed Vicar Street in support of Girl Band and Rusangano Family, among others.

CAOILIAN SHERLOCK (Co-promoter, Southern Hospitality Board/Quarter Block Party; guitars/vox, Saint Caoilian/The Shaker Hymn/The Creeps/Worm; presenter, Dublin Digital Radio; label co-head, Small Town Disco; disc-jockey; freelance sound engineer)

A bon vivant, a troubadour, a raconteur: Caoilian Sherlock is an eminently likeable everyman in Leeside music, embodying the best and most worthwhile aspects of the musical existence. His music, whether as Saint Caoilian or as part of The Shaker Hymn, takes his influences & experiences and turns them into smirking, humourous reverie, while his work with Southern Hospitality Board, and before that The Pavilion, with Aisling O’Riordan, has placed him on the frontlines of new and interesting music in the city. His renaissance man status sees him involved on multiple fronts with Quarter Block Party, while his ventures into net-label territory and online radio under the Small Town Disco banner see him flexing those organisational muscles in a new context.

EMMA KELLY (Promoter, Merakindie Presents/The Roundy/PLUGD Records)

Emerging from a background in food and hospitality PR to tap into her passion for music, Emma Kelly established herself in earnest by taking the lead on the Mardyke Complex’s now-defunct UrbanJungle project, hooking up with community music groups like Cuttin’ Heads Collective and Room101 online radio to set the foundations of a potential centre of arts and other endeavours. Since striking out alone under the moniker of Merakindie Presents, Kelly established a near-impossible feat in early 2017, booking an incredible twenty-four dates of an Irish tour for a triple-bill of Wexford singer-songwriters, exploring restaurants and clothing shops up and down the country in addition to small venues and bars. Since then, working relationships with the likes of Fixity, The Bonk and Clang Sayne have kept Kelly busy, while her latest coup, helping reopen PLUGD Records upstairs in The Roundy bar on Castle Street, has placed the venue squarely at the centre of eclectic and eccentric sonics in the city. Recently-announced new-music night ‘Signal’, in collaboration with Cosmonaut Music and Overblown.co.uk, sees a meeting of some of Cork’s sharpest musical minds.

CORMAC DALY (Promoter, Cosmonaut Music/The Listening Room/Undercurrent; music coordinator, IndieCork; freelance sound engineer)

Having moved to Cork only a little over two years ago, the pace of Cormac Daly’s integration to the Leeside music scene has been astonishing. Kicking off with gigs and sessions in the now-defunct Cork Community Print Shop, Daly’s current promotion schedule sees him run events and gigs under numerous marquees, and across a wide spread of genres. Cosmonaut Music is his baby, providing a home for all things heavy, noisy and strange; The Listening Room transforms The Village Hall into a living-room acoustic session; and Undercurrent brings together Irish electronic music’s most vibrant and vital. Add to this a burgeoning rep as a freelance engineer, and the goodwill generated as an important part of the IndieCork festival team and you have one of the pillars of the city’s music community. The addition of the Signal night to his portfolio is another feather in an enviable cap.

SIOBHÁN BROSNAN (Blogger/promoter/DJ, Skirmish; press relations officer, Cuttin’ Heads Collective; promoter/organiser, Townlands Carnival)

One of the behind-the-scenes stars of electronic music in Cork, Siobhán Brosnan, a.k.a Shiv, has ploughed a furrow as a DJ, promoter, and blogger with London-based techno blog Skirmish (affiliates of cultural-commentary mavericks VICE), and as part of Cork hip-hop auteurs Cuttin’ Heads Collective. Having worked with counter-culture newspaper Rabble as a resident music expert, and curated live mixes from a revolving door of Irish electronic artists on Cork community station Room101, Shiv also currently works closely with the Townlands Carnival festival out of Macroom, and as part of Skirmish, co-curates mixes for London-based Future Radio and moderates the wonderful Music People Have to Hear group on Facebook.

DARREN KEANE (Bass, Not Earth/MueseuM/Worm/HAGS/many others; music journalist, State/The Thin Air; member, The Dead Pigeon Club; disc-jockey)

A Clonmel man with a penchant for throwing himself headlong into his creative outlets, Darren Keane’s spells as bassist for HAGS and other outfits, combined with music writing for the UCC Express and experience in managing bars in both his home and adopted towns, provided the perfect frame of reference for an explosively productive few years. Having handily cut his niche, his return to live performance with improv outfit Not Earth has inspired several other of his own projects, including MueseuM (ambient improv, alongside Arthur Pawsey) and Worm (noise/ambient, with Caoilian Sherlock) while his work in music writing for State and The Thin Air presents an insight into the thoughts of a passionate, yet no-nonsense music man. His Prince-only DJ sets have become the stuff of urban myth, also.

KELLY DOHERTY (Composer/producer/DJ, Gadget and the Cloud; presenter, Dublin Digital Radio; promoter, Future; music journalist, The Thin Air)

One of the first generation of Irish music journalists to operate free of print media’s predominance, Kelly Doherty began writing about music at the tender age of 16 for various online outlets, including her own blog, the now-defunct Alternative Tone. Being emboldened in the process to throw herself into every aspect of music, an encounter with Jon Hopkins while reviewing Electric Picnic 2015 set Doherty on the path to composition and production, emerging as ambient/aesthetic sadgirl beatsmith Gadget and the Cloud. Under the same name, Doherty is rapidly becoming a regular presence on local bills as a DJ, while also maintaining a weekly slot on Dublin Digital Radio. Her work for Belfast-based national music blog The Thin Air has also keenly honed her journalistic and editorial voice, while, as a member of female DJ advocacy group GASH Collective, is outspoken about the importance of rebalancing gender in Irish music. Most recently, Doherty has led the foundation of queer/feminist night Future at the Poor Relation, as part of her comprehensive student activism.

OUTSIDER YP (Rapper/beatmaker; promoter/organiser, Outsiders Entertainment; conceptual artist, designer, writer)

Ambition, it can be said, is nothing without earnestness of endeavour, and this can truly be said of Cork-based rapper Outsider YP. With an intrepidness born of the immigrant experience in small-town Ireland, he invests hip-hop with an ear for psychedelia and pop-culture reference points, dipping liberally into his pains, joys and conflicts to present a frankly thrilling vein of conceptual art. Over the past few years, this has been accompanied with a flair for high-art multimedia experiences, including a lush video shot in Hong Kong City for single ‘Saddest Day’. As one of the Outsiders group of rappers, producers and graphic designers, Mavambu has dipped his toes into everything from promotion and booking to fashion and fiction, currently nursing a concept multimedia series among a number of other long-term projects.